Team Avatar's Review of The Last Airbender Movie

‘Legend of Korra’: The ‘Avatar’ Creators on the New Spinoff

[Source: Speakeasy] The creators of “Avatar: The Last Airbender” say that the new spinoff series “The Legend of Korra” will be more mature than the original show, but will still have the same sense of fun and adventure.

Nickelodeon, the network behind the original show, today announced that it will air the “Avatar” spinoff series “The Legend of Korra” (a working title) starting next year.

The first series took place in a world in which supernatural “benders” have the ability to manipulate the elements of air, earth, fire and water, and focused on Aang, a young airbender who turned out to be the Avatar, a person capable of controlling all the elements. The new series takes place 70 years later in the same world and follows the new Avatar, a teen girl named Korra who has learned to bend earth, water and fire and seeks to master air under the tutelage of Aang’s son, Tenzin.

Earlier this summer, director M. Night Shyamalan released a live-action theatrical version of the first series called “The Last Airbender” that was poorly received by critics, although it posted respectable numbers in early box office returns.

Michael DiMartino and Bryan Konietzko, the creators of “Avatar: The Last Airbender” and “The Legend of Korra” took the time to talk to Speakeasy today about the new series.

The Wall Street Journal: How did you come up with the idea for the spinoff?

Bryan Konietzko: When Mike and I first created “Avatar: The Last Airbender” we always knew it would have an ending to it, that particular story. But as the show really took off, and found an audience all over the world, we knew that despite our intentions of ending that story there would probably be a time when Nickelodeon would come calling and want some more episodes….When that time came we had this idea for jumping ahead and telling a story about the next Avatar, this girl Korra.

If there’s a new Avatar, that means Aang has passed on. If he died around age 70, isn’t that pretty young for an Avatar?

Konietzko: You gotta keep in mind that he was frozen in a state of suspended animation for 100 years, so he kind of burned up some of his extra Avatar time.

The new “Avatar” is a woman. What inspired you to change the sex of the protagonist of the series?

Michael DiMartino: It’s not so much about changing because we had Avatar Kyoshi before Aang. We’d established that the Avatar can be male or female and we just thought let’s explore one of those more in depth, because Kyoshi was a popular character with a lot of fans and it seemed like a great opportunity to not retread what we’d done with Aang, who was a great hero, we all loved him, but we really wanted to try something different. And we have so many great female fans out there, who really responded to Katara in the first series, we thought we have the fan base who are really going to enjoy seeing the Avatar be a female.

Konietzko: Mike and I, we love those characters too, and we’ve encountered countless fans who are male who really like those characters too. We just don’t subscribe to the conventional wisdom that you can’t have an action series led by a female character. It’s kinda nonsense to us.

The one image that you released is Korra looking out on Republic City, where a lot of the new show take place. Tell me about that city.

Konietzko: That’s kind of a piece of concept art so when the show premieres next year it won’t look exactly like that but that’s the direction we’re headed. The first series was sort of a road show where every episode they were going to some new location. That was another new thing we wanted to do is root it in one big complex location but mainly one place. We were drawing inspiration from Shanghai in the 1920s and 30s and Hong Kong and even Western cities like Manhattan and even location-wise cities like Vancouver, a city that juts out on a peninsula or an island and has these big mountains around it.

Will we see characters from the previous series pop up?

DiMartino: I don’t want to give anything away, but rest assured there’s a definite link between the old series and this one.

Republic City is a city plagued by crime. There’s an anti-bender revolt. Does this new series deal with more mature themes?

Konietzko: Mike and I like a balance of tones. We never set out to make an overtly silly show or an overly serious dramatic show. We like dealing with all those things. It’s fair to say we’re dealing with some sophisticated things and the show is growing up a bit. But that said, we’re not in a calculated way trying to target another demographic. Even in the first series, it was about a world war and some pretty serious issues.

If Tenzin is Aang’s son, who is his mother?

DiMartino: [To Konietzko] We can say that, right? [To Speakeasy] It’s Katara. It’s not a huge surprise.

What did you guys think of the live-action version of “The Last Airbender”?

Konietzko: We’re just really focused on this new show right now, and kind of taking this off in its own direction and not concerning ourselves with that right now.

So you didn’t follow the casting controversy about the movie version of “The Last Airbender”?

Konietzko: We didn’t head up that film. We’re just happy to be back generating the original content in this mythology, which is what we do.

Would you like to bring a cartoon version of “Avatar: The Last Airbender” to the big screen?

Konietzko: We would love to. I think Mike and I would absolutely love to do feature animation. Either another story, or it if worked out, one in the “Avatar” world. We would be really excited.

Avatar: The Last Airbender

The Art of the Animated Series

Writer: Bryan Konietzko, Michael Dante DiMartino
Artist: Bryan Konietzko, Michael Dante DiMartino, and Various
Genre: Art Book
Features: Preview

Since its debut in 2005, Avatar: The Last Airbender has remained one of Nickelodeon's most talked about and highest-rated animated series to date, and it's not too hard to see why . . . Not only does it offer an epic storyline, engaging characters, action, adventure, and a powerful message about the importance of hope in a world long-besieged by war, all the while serving up top-notch entertainment. It's also beautifully executed, a stunning masterpiece of animated storytelling that harmonizes Western influences with aesthetic inspiration drawn from a diverse array of cultures, including those of China, Japan, India, and the Inuit.

An unprecedented look at the concept, design, and production art behind this smash-hit series, Avatar: The Last Airbender, The Art of the Animated Series chronicles the show's development -- from the very first sketch through to the series finale and beyond! -- along with behind-the-scenes commentary from series creators Bryan Konietzko and Michael Dante DiMartino.

* Featuring hundreds of images, most of which Nickelodeon has never released to the public!

* Soon to be adapted as a trilogy of major motion pictures by M. Night Shyamalan and Paramount Pictures Studio.

Publication Date: May 19, 2010
Format: FC, 184 pages, HC, 9" x 12"
Price: $34.99
ISBN-10: 1-59582-504-5
ISBN-13: 978-1-59582-504-9

What the Last Airbender TV series has that the movie doesn't

This article is taken from io9.com  [WARNING: Spoilers Ahead]

With over 20 episodes in Avatar: The Last Airbender's first season, we knew M. Night Shyamalan would have to cut a lot to adapt it. But what ended up on the cutting room floor could have really helped this film.

 

We've written a lot about the problematic casting in this film, making the cartoon's main Asian characters white, and we still think that was a huge mistake. But here are some of the other changes from the cartoon that, in retrospect, really didn't work out.

As silly-angry as we can get about non-canon moments in The Last Airbender, like showing the Fire Lords face so early in the game, they're not as important as other things that Shyamalan cut out — or didn't consider including at all.

The War

Taking a page right out of Star Wars, Airbender opens with scrolling titles that explain everything that happened before we meet Sokka and Katara. One could argue that this was very similar to the cartoon, which barely showed the great war that the Fire Nation started. But the original does show it, if only for a few seconds in the intro. And that image of the organized and aggressive Fire Nation quickly sets a tone for the cartoon's "bad guys." Right after the Fire Nation's appearance in the intro, Roku is seen commanding all the elements — bam. That's what an Avatar is, done. Had they actually shown Roku in the beginning, kicking a little elemental butt, it might have given all his copious other mentions, statue zoom-ins, and Fang the Dragon spirit-world sessions some weight. It might have even helped explain why the Avatar was so important. And why everyone was so sad/doomed when he disappeared and Aang ran off.

The only reason I can imagine why this wasn't included is because it would mean showing and not telling. And telling instead of showing was something Airbender took great pleasure in doing countless times. Plus, almost three years ago process M. Night stated that he wanted this to be the new Star Wars, so I guess it's only natural that it have long and confusing titles with little-to-no explanation, Phantom Menace style.

Either way, it's sad that the cartoon could establish the general grasp of the mythology in five seconds while the live action film never really established Airbender's ideas with the audience up until the final battle scene, when it showed the actual war.

The War's Aftermath

The war itself, and its effects on the characters, were both pretty glossed over from the beginning. Sokka is the last man in the Southern Water Tribe. In the cartoon, he's seen constantly struggling with this issue, especially when he's left with a gaggle of pre-teens to build an army with. But when the Fire Nation comes, he utilizes them as a part of his tribe's defenses. He has no other choice. What might be casually tossed away as a "silly cartoon moment," what with the potty breaks jokes and all, is actually terribly sad. And explains a lot of who these children are and why it's so important for them to set the balance back in their world. 

In the film, Sokka and Katara talk sadly about their long-lost parents, but never defend themselves. In fact, when the Fire Nation comes to their village for Aang, they stand by, frustrated but defeated. Little things like the absence of the Southern tribes baby brigade really start to add up. And the movie becomes less about the conscious choices the characters make, and more about moving the plot along.

Great Side Characters Like Jet, The Deserter

Jet is another character who was sadly cut from the film. We can see how it would be hard to include him in this two-hour movie. But his character's drive to kill all members of the Fire Nation, loyal to the Fire Lord or not, help perpetuate the feeling that this world is in a war. Plus the Deserter helps reinforce that not everyone under Fire Nation rule was evil. M. Night didn't speak as to why Jet was cut but he did explain, a few months back in a private roundtable, why he couldn't fit in the Deserter and characters like him, such as Jet and the Bounty Hunter. They both have that episodic feel in the first season.

Shyamalan explained:

In an episodic series, the nature is that it's episodic. You need to have a beginning, middle and end in each episode. It needs to go "right, left, right, left," like that. But there's a through-line that's present in most of the episodes - like he has to master all the elements, those kind of things. Someone's chasing him. Katara and her brother are becoming like a family and they're protecting him, and they're moving to the Northern Border Tribe. Broad things like that, that represent the story of the first season. So there's a bunch of things that had to get jettisoned for this movie.
But my hope is that [The Bounty Hunter] will end up somewhere in one of these movies. I moved some things, like the deserter. The deserter character, which I love, and I think is a huge moment, I moved him to the third movie when he's going to learn fire.

While we totally agree that keeping characters like this inside the Airbender movie would have been impossible. But we do hope that if there ever is another Airbender film, we can see them later on, as they truly help flesh out the worlds.

The Comedy

There are maybe two funny moments in the entire film, both have to do with Sokka and water. Humor is instrumental in telling the Airbender story — even little Aang is quite comical throughout the first season. We knew slapsticky characters like the cabbage man and other broad humor moments were going to get cut, as M. Night told us in a private roundtable in March, and this is why: 

 

Shyamalan told us:

"See, all of the broad comedy stuff that has so much life in the movie, the movie can only handle a certain amount for you to believe the stakes of the movie, right? So what I've found is, I had a certain amount of broad comedy in it. And if the characters aren't honoring the milieu of, the setting of what the movie's supposed to be, that it's a time of war. It's not a great time. You can have humor but it has to be situation-appropriate humor."

Suki And The Kyoshi Warriors

We were very surprised that the Kyoshi warriors were completely cut out of Airbender. Especially since they were clearly filmed and marketed to the masses as being in the story. In order to start a rebellion you need to build an army, and these were important warriors in the fight against the Fire Nation. Not to mention that Suki's personality helped flesh out Sokka's character immensely. She's his first real love interest, and a bad-ass female heroine. They were people, characters. Not just faceless Earthbenders who decided to let themselves be imprisoned by the very thing they use as a weapon. Which is yet another thing that was cut, and reworked to fit some strange need to show Earthbenders as incompetent victims. In the show, the Earthbenders are imprisoned on a metal boat, because they are EARTHBENDERS, and they bend dirt, so imprisoning them on land would be lunacy. But I digress.

In the roundtables at the Airbender junket I got to ask two questions of Shyamalan. Why he cut the Kyoshi was one of them. His response was:

"A character like Suki was one [at the] last second that I had to lose which was totally upsetting to me." When I asked if still had the footage he filmed of her, and if she would later appear on the DVD, perhaps the Director's Cut he replied. "Yeah I have all of it. No, this is my director's cut. Sometimes it not the bad things that are taken out of the movie, it's the things that are so good it's distracting. What happens is, you introduce these characters in the beginning of the middle of the movie, the Kyoshi Warriors, and you let them stay for the middle of the movie, then you pull them out of the movie. The audience is like, 'wait, wait, wait. We love them, where are they going? Bring them back somehow in the third act.' And that's not what the story is. They have nothing to do with the Northern Water Tribe, but they have everything to do with the next movie. So at the last second, I just decided that I'm going to bring them in and introduce them and make them a part of the Earth Kingdom in the second movie."

Princess Yue's and Sokka's Courtship

While we're talking about Sokka's loves, let's go ahead and tackle the Princess Yue issue. In the cartoon, Princess Yue and Sokka have a three-episode courtship, and plenty of time to develop a relationship, as short-lived as it may be. To be fair, their animated relationship does seem pretty quick as well. In the film, you're told immediately that these two are in love, the end. Later her sad departure is lost on many as their relationship never really got the camera time to develop.

Meanwhile in the cartoon Sokka, silly as he is, plans secret meetings with the princess on one of the many ice bridges, fights for her hand when he discovers she's already committed to an arranged marriage, and continues to pursue her all through military training. In the process, you learn Yue's backstory, and all about her deep dedication to her people. So when she gives her life it not only makes sense, it doesn't feel shoehorned as a desperate plea for the audience to feel some sort of emotion.

Why was this kept out? I asked both M. Night at the roundtables, and actor Jackson Rathbone at the Airbender junket. Shyamalan replied:

"Basically the last two episodes of the first season was like a whole season. They slammed everything. I remember when I saw it I told the boys [Michael Dante DiMartino and Bryan Konietzko], you're killing me in those two episodes. Just every back story, every single thing you can jam in there. Even in our third act there's a ton jammed in there. It's as much as an audience can take jammed in there. You would need to turn the third act into half the movie to do justice to the back stories."

I asked Rathbone if there were any extra scenes they filmed, that were cut, that might have fleshed out the characters' relationship:

Even watching the series, there is a jump into their relationship. You jump into it. We try to capture as much as we can without saying. In life sometimes you meet someone and there's a spark. There's just something in someone's eyes that you really just identify with. I think within these two characters, they are both so young and they are in the middle of all this war and drama in their lives. She was in charge of much more, but he was also basically in charge of the Southern Water Tribe. So they both had this heavy responsibility. It can happen happen that fast. They have their walks, and their talks, go on Appa Yip Yip baby. But you have to serve the story at the end of the day. The relationship doesn't take precedence over the war, the relationship is born out of war.

While we agree with what they are saying, we really wish this relationship would have had some time on camera to grow.

Appa and Momo's Personalities

The saddest cut by far was watching Appa and Momo's personalities disappear. Their endearing charm and heart warmed up this series. I think we heard "Yip Yip" one single and lonely time throughout the entire film. When Momo was fiddling with the Moon and Ocean fish spirits in the Northern Water Tribe, I'd all but forgotten he was there, and by that might have been the first time anyone even spoke his name out loud. Sure, neither of them are massive parts of the first season, but they are other-worldly beings that make up a big part of this magical fantasy land that we've never seen before. The chair I was sitting in the theater had more character than these creatures. And if you're going to cut the platypus-bear and whiskered penguins from the South, the film could have rewarded fans just a little with Appa eating hay or sneezing, just something that was "classic Appa."

Send an email to Meredith, the author of this post, at meredith@io9.com.

 The Last Airbender Game Trailer - E3 2010

Discover your bending powers.

 A Ton of New Photos from The Last Airbender

Directed by M. Night Shyamalan